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  • 3.00 Credits

    This course focuses on theories and practices of literacy, particularly literacies in communities outside of schools. Students read literacy theory and research, examine their own literacy practices, and learn from and with literacies practiced by local and global communities. Course focus/emphases vary by instructor. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
  • 2.00 Credits

    Careers in Writing provides students an opportunity to explore careers available to Writing and Rhetoric Studies majors. The course focuses on short and long-term professional goals and honing job application materials. As a hybrid course, students will meet once a week in the classroom and complete work asynchronously online. In the course you will hear from guest speakers about different writing careers, identify your own career goals, and work toward them in advance of being on the job market.
  • 3.00 Credits

    Prepares students for writing in the business world. Focuses on business plan and proposal writing in a business context, addressing the expectations of specific audiences. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
  • 3.00 Credits

    This course will provide students with principles for and practices of effective grant writing. Focus on identifying funding sources, articulating problem statements, understanding and addressing funding criteria, writing collaboratively, and managing documents through funding cycles.
  • 3.00 Credits

    Prepares student to write for culturally and linguistically diverse audiences for various purposes. Emphasizes linguistic and rhetorical considerations in print and electronic texts. Focus on critical appreciation of English as an international language. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
  • 3.00 Credits

    Theory and practice of responding to undergraduate writing, including comment and evaluation. Conducted in a workshop setting and applicable to all disciplines. Course restricted to UWC tutors. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
  • 3.00 Credits

    Students will learn theories of visual rhetorical criticism, and examine different strategies for integrating words and images, and other multimedia elements. They learn to employ principles of effective document design and visual argument, as well as practice strategies for design and composition of new media texts. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
    General Education Course
  • 3.00 Credits

    The course explores the ways that online, mobile, and networked technologies shape rhetorical theory and practice. Coursework will include projects that analyze and compose with digital media. Topics may vary to account for emerging technologies and communication practices. Students strongly advised to take WRTG 2010 or equivalent prior to this course.
  • 3.00 Credits

    This course introduces students to historic and evolutionary of the term public sphere. A theoretical outline is followed by opportunities to write across genres and digital platforms. Areas may include activism and social movements, censorship, and synchronous and asynchronous writing related to space and place. Ultimately, students will examine through writing, editing, and design, the ways digital technologies are changing the writing landscape in real and virtual spaces.
  • 3.00 Credits

    Sonic Rhetorics is designed as both a survey in sound in the rhetorical tradition and as an introduction to sound studies (and sound production) in and across broader scholarly conversations. In the class, students study why sound mattered to pre-Socratic cultures, how and why it came into a kind of competition with sight as a prevailing sensory medium, and how these histories continue to play out today. As part of the class, students will listen to, make, and engage with sound in all its contemporary varieties: Podcasts, playlists, soundscapes, sound maps, concert halls, rock clubs, folksongs, field recordings, and foley stages. Podcasting, especially, makes for a central interest of the class and in lieu of traditional essays, students will produce several over the course of the semester.